Foreigner, Pieces
by Kristin Serafini
29 April 2011
Cotton, Silk, and Linen
(hand and machine pieced, all hand quilted)
36″ x 60″

Currently on display at this show.

“Identify Yourself”
20 May—03 July 2011
Craft Alliance
6640 Delmar Blvd.
St. Louis, MO 63130

Artist Statement
This work is part of a series of self-portraits which explore the idea of dislocation from setting,
circumstance, and gender. The figures exist in uneasy relationship with their surroundings—a
collection of public and private spaces that function more as images of memory projected on a green screen behind the figures than as three-dimensional environments in which the figures exist. The series primarily consists of acrylic paintings on canvas.

In Foreigner, Pieces I followed the questions of my own identity into another medium: textiles. I
reinterpreted one of the paintings from this series as a hand-stitched quilt, which is the same
dimensions as the original canvas. In doing so, found myself exploring the identity of the artwork itself, and thus adressing the concept of gender from a different angle. While cutting, pinning, and stitching this image, I noted the contrast between the historically masculine (and privileged) activity of painting on canvas and the traditionally feminine (and pedestrian) activity of quiltmaking. Questions of craft versus art emerged, as did observations about the postures required to produce the pieces. While painting, I worked in a mostly upright, standing position. While quilting, however, I spent a good bit of time kneeling on the floor, or sitting in a chair with the work in my lap. Having studied the work of artists such as Romaine Brooks, I want to continue the relatively new conversation around female self-portraiture—in this case by challenging the form of the quilt, a medium not often associated with figural self-portraits.

A Map of the Night
by Kristin Serafini
November 2008 – April 2009
hand-quilted silk and cotton fabric
50″ x 36″

There are no streetlights at the Teton Science School. Night is properly dark. After emerging from a warmly-lit lodge at the close of evening activities, I walk into a wall of black. It takes a few minutes of standing on the path – listening to the rustle of my jacket and the thread of my breath – before I get my night eyes. The easy thing would be to flick on a flashlight. But I often walk right into the night; navigating the path back to my cabin with my head instead of my headlamp. As worn out as I am after a full day of exploring and learning with the students, I feel my senses expanding in the dark like fishing nets thrown into the ocean. Maybe my nose will catch a curl of woodsmoke. My eyes might find a faint hightlight that tells me where the path turns.

During the day, the Principia Upper School Teton Trip is very much about opening oneself to new experiences and observations. The nightly walk back to my cabin gives me a chance to unfold some of those ideas and start to see how big they really are.

That unfolding is exactly how I would describe the creative process that resulted in this quilt. One morning in November, my phone rang. I was dead asleep after a long night of painting. I answered the call. “Yo. It’s Michael. I am getting on a plane to Scotland in two hours and I’ve lost my map of the night. Is it at your house?” What is a map of the night? I wondered to myself. And how would I know if I had one in my house? (I eventually found out that A Map of the Night is a book of poetry by David Wagoner, but I didn’t know that at the time.)

I started to wonder if I could make a map of the Night. What materials would it require? Would it be like a pirate treasure map? a star map? Instead of jumping right into it, and coming up with an easy small answer, I decided to see what would happen if I just left the idea alone for a while – to see how big it would get.

Eventually, (when I least expected it) things started to happen. It occurred to me that a map of the Night should be somewhat portable, and also durable. It should be literal, and yet also metaphorical. (Wait – how is that even possible?) It felt like I was watching something being created, instead of making it myself. Just like walking out into the Night without a headlamp, I couldn’t see two steps in front of me.

My map of the Night turned out to be a quilt that I can fold up and put in my backpack if necessary. And it actually includes two types of maps: a star map and a mind map. I chose the constellation Ursa Major (whose tail is the Big Dipper) because during winter nights in Jackson Hole, it’s right overhead. On top of the star map is layered a sort of mind map, made from various poems about the Night.

(1)
Spellbound
Emily Brontë
(1818-1848)

The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me
And I cannot, cannot go.

The giant trees are bending
Their bare boughs weighed with snow.
And the storm is fast descending,
And yet I cannot go.

Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing dear can move me;
I will not, cannot go.

(2)
from
Moon Gathering
Eleanor Wilner
(b. 1937)

…and one by one, they catch
the moon in the cup-shaped bowls,
and they raise its floating light
to their lips, and with it, they drink back
our eyes, burning with desire to see
into the gullet of night: each one
dips and drinks, and dips, and drinks,
until there is only dark water,
until there is only the dark.

(3)
from
Breathing
Christina Rossetti
(1830-1894)

In happy dreams I hold you full in night.

(4)
from
In Memoriam
ALfred, Lord Tennyson
(1809-1892)

Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

(5)
from
Man Carrying Thing
Wallace Stevens
(1879-1955)

We must endure our thoughts all night, until
The bright obvious stands motionless in cold.

(6)
from
One Evening
W.H. Auden
(1907-1973)

I’ll love you till the ocean
is folded and hung up to dry
and the seven stars go squawking
like geese about the sky.

(7)
from
A Myth of Devotion
Louise Glück
(b. 1943)

Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—

(8)
from
Breathing
Josephine Dickinson
(b. 1957)

My body is your world under a blanket of snow.

(9)
Hymn to the Night
Henry Wadsworth Longfellow
(1807-1882)

I heard the trailing garments of the Night
Sweep through her marble halls!
I saw her sable skirts all fringed with light
From the celestial walls!

I felt her presence, by its spell of might,
Stoop o’er me from above;
The calm, majestic presence of the Night,
As of the one I love.

I heard the sounds of sorrow and delight,
The manifold, soft chimes,
That fill the haunted chambers of the Night,
Like some old poet’s rhymes.

From the cool cisterns of the midnight air
My spirit drank repose;
The fountain of perpetual peace flows there,–
From those deep cisterns flows.

O holy Night! from thee I learn to bear
What man has borne before!
Thou layest thy finger on the lips of Care
And they complain no more.

Peace! Peace! Orestes-like I breathe this prayer!
Descend with broad-winged flight,
The welcome, the thrice-prayed for, the most fair,
The best-beloved Night!

(10)
A Happy Birthday
Ted Kooser
(b. 1939)

This evening, I sat by an open window
and read till the light was gone and the book
was no more than a part of the darkness.
I could easily have switched on a lamp,
but I wanted to ride this day down into night,
to sit alone and smooth the unreadable page
with the pale gray ghost of my hand.

(11)
A Clear Midnight
Walt Whitman
(1819-1892)

This is thy hour O Soul, thy free flight into the wordless,
Away from books, away from art, the day erased, the lesson
done,
Thee fully forth emerging, silent, gazing, pondering the
themes thou lovest best,
Night, sleep, death and the stars.

(12)
January
Betty Adcock
(b. 1938)

Dusk and snow this hour
in argument have settled
nothing. Light persists,
and darkness. If a star
shines now, that shine is
swallowed and given back
doubled, grounded bright.
The timid angels flailed
by passing children lift
in a whitening wind
toward night. What plays
beyond the window plays
as water might, all parts
making cold digress.
Beneath iced bush and eave,
the small banked fires of birds
at rest lend absences
to seeming absence. Truth
is, nothing at all is missing.
Wind hisses and one shadow
sways where a window’s lampglow
has added something. The rest
is dark and light together tolled
against the boundary-riven
houses. Against our lives,
the stunning wholeness of the world.

(13)
from
A Way to Love God
Robert Penn Warren
(1905-1989)

I cannot recall what I started to tell you, but at least
I can say how night-long I have lain under the stars and
Heard mountains moan in their sleep. By daylight,
They remember nothing, and go about their lawful occasions
Of not going anywhere except in slow disintegration. At night
They remember, however, that there is something they cannot remember.

(14)
Once in the 40′s
William Stafford
(1914-1993)

We were alone one night on a long
road in Montana. This was in winter, a big
night, far to the stars. We had hitched,
my wife and I, and left our ride at
a crossing to go on. Tired and cold–but
brave–we trudged along. This, we said,
was our life, watched over, allowed to go
where we wanted. We said we’d come back some time
when we got rich. We’d leave the others and find
a night like this, whatever we had to give,
and no matter how far, to be so happy again.

(15)
Aedh wishes for the Cloths of Heaven
W. B. Yeats
(1865-1939)

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

Rooprai Sunrise
by Kristin Serafini
17 March 2009
hand-quilted cotton and silk fabric with cotton batting
16″ x 9″

birthday gift for my sister Katie Rooprai

Jackson Snapshot 03
by Kristin Serafini
23 February 2009
hand-quilted cotton and dupioni silk fabric with cotton batting
10.5″ x 4.5″

Jackson Snapshot 02
by Kristin Serafini
20 February 2009
hand-quilted cotton and dupioni silk fabric with cotton batting
8.5″ x 4.5″

Jackson Snapshot
by Kristin Serafini
18 February 2009
hand-quilted cotton and dupioni silk fabric with cotton batting
8.5″ x 4.5″

12.5″ x 5″ plus frame

‘Mamma & Connor’ Elephant Quilt
by Kristin Serafini
12 February 2009
hand-quilted cotton fabric with cotton batting
52″ x 36″

birthday gift for Connor Otto Steindorf